Spotify's 1,000-Stream Rule: Is It Silencing Smaller Markets?
Implemented in early 2024, Spotify's policy requiring 1,000 annual streams for royalty eligibility is drawing sharp criticism. A new report from Bulgaria's ANMIP-BG highlights fears of "cultural erasure," arguing the rule disproportionately harms independent artists and labels in smaller European markets.
A New Royalty Reality
In the first quarter of 2024, Spotify rolled out a significant change to its royalty model, introducing a new eligibility threshold for payments. To earn royalties, a track must now accumulate at least 1,000 streams from a minimum number of unique listeners within a 12-month period. Spotify's stated aim was to combat fraudulent streams and more efficiently distribute small sums of money. However, the policy's impact is being felt far and wide, particularly within the independent music communities of smaller nations.
On December 16, 2025, the Bulgarian independent music trade group ANMIP-BG released a study that crystallizes these concerns. The report argues that the one-size-fits-all threshold is causing significant financial harm and risks a form of "cultural erasure" for artists in regions like South East Europe.
The View from South East Europe
The ANMIP-BG study, which surveyed over 70 independent labels in the region, paints a stark picture of the policy's consequences nearly two years after its implementation.
Key findings from the report include:
- Significant Revenue Loss: A reported 65% of surveyed independent labels have experienced a significant drop in revenue directly attributable to the new threshold.
- Widespread Opposition: An overwhelming 92% of the region's independent music professionals oppose the policy.
- Demonetized Catalogs: The 1,000-stream minimum has effectively demonetized vast portions of back catalogs, which, while not individually high-earning, collectively formed a crucial revenue stream for many small labels.
Critics, including those cited in the Bulgarian report, argue that the policy was designed with major Western markets like the United States and the United Kingdom in mind. A threshold of 1,000 streams is a vastly different challenge in a country with a smaller population and lower market penetration, such as Bulgaria, Serbia, or Romania, compared to a global market.
A "Blunt Instrument" Harming Diversity
The core argument is that this policy disproportionately penalizes niche genres, experimental music, and emerging artists who are still building an audience. These are the very creators that many DJs and dedicated music fans rely on for discovery. By redirecting the pool of royalties from these demonetized tracks to the platform's most-streamed hits, the policy financially benefits superstar artists and major labels at the direct expense of the independent ecosystem.
Pan-European organizations like IMPALA (Independent Music Companies Association), of which ANMIP-BG is a member, have been vocal critics since the policy was announced in late 2023. They have consistently warned that such a "blunt instrument" would devalue specialist and culturally specific music, ultimately reducing the diversity of content available to listeners on the world's largest audio streaming platform.
The Broader Implications
The debate over Spotify's royalty threshold is more than a financial dispute; it's about the future of musical culture in the streaming era. For independent labels in smaller markets, the policy represents a direct threat to their financial stability and their ability to invest in new, local talent.
As the ANMIP-BG report concludes, if the primary discovery platform actively makes it harder for regional and niche music to be financially viable, it risks creating a more homogenous global music landscape. The fear is that a rich tapestry of local sounds will be pushed further to the margins, unable to compete on a platform whose rules favor mass-market scale.